"The pianist's grasp of the score is sure - his articulation crystalline - note the wild dash through the wildest contrapuntal flurries in Le Rondini di Alessandro. The pianist's phrasing has plenty an expressive nuance, too, nowhere more so than in the inward-looking finale of the Diario Secondo from 1985."
– Tim Smith (The Baltimore Sun)
"This is tough music presented with factual and technical diligence as well as artistic qualities. Credit to the pianist for carrying through this distinctive project from concept to execution. There's no want of valour in choosing this music to champion."